“The Rat Is a Hero”: In the Studio with Emily Mayer by Daisy AtterburyReading On the Road; Fiction for a FatherDear Don Draper, Stop Ignoring Me by Adam WilsonSecrets Are Lies by Bonnie NadzamBookitecture by Sadie Stein‘Walden’ the Video Game, Merwin the Movie, SpaceThe Hobbit Pub Sued, Build Your Own Murakami, and Other NewsStaff Picks: Whither the Library, Mafia Men by The Paris ReviewCapote’s Typewriter by Sadie SteinStaff Picks: Biennial Cataloguing, Southern Gothic Horror by The Paris ReviewRejections, Slush, and Turkeys: Happy Monday! by Sadie SteinSummer Reading; Formatting Horrors by Lorin SteinThe Troubadour of Honed Banality by Barry YourgrauUnderground Colonies by Will HuntBookmobiles of the World by Sadie SteinBookmobiles of the World by Sadie SteinWho Needs the Pulitzer? We’ve Got Joshua Cohen! by The Paris ReviewOn Tour with The Magnetic Fields: Part 1 by Emma StraubGreen Car, Nightfall by Margaret WeatherfordSummer Reading; Formatting Horrors by Lorin Stein Press Pass: Dorothy by Nicole Rudick The Long and Short of It by Sadie Stein Babyish Handwriting, Malarkey by Sadie Stein Happy Birthday, Ballpoint! by Sadie Stein See You There: The Paris Review in L.A. by Sadie Stein Drink the Water by Alia Akkam Dead Authors at Fashion Week: Part 3 by Katherine Bernard Arthurian Legend, Literary Restaurants by Sadie Stein Hobbit Mythology, Classics Reinvented by Sadie Stein Literary Stockings, Keats’s Addiction by Sadie Stein Cossacks and Clowns and Bears, Oh My! by Sophie Pinkham Finnegans Wake: An Illustrated Panorama by Jason Novak Gun Found in Donated Book, and Other Book News by Sadie Stein Zagat, Library Science, Cheap Thrills by Sadie Stein Edward Lear’s Cat by Sadie Stein Wild Cats and Meadowlarks: Creating in L.A. by Alex Moore In Which the Author Reads the Works of Albert Cossery: An Illustrated Essay, Part 2 by Nathan Gelgud Etgar Keret, Tel Aviv, Israel by Matteo Pericoli October Surprise; or, How to Follow a Perfect Season by James Santel See You There: The Paris Review at the Strand, Tonight! by The Paris Review
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