Dante Is Seven Hundred and Fifty—So Get a Selfie With HimThis Doll’s Brittle, Screeching Voice Will Infect Your SoulThe Real Pollyanna WhittierHow Not to Underline a BookNicholson Baker’s Favorite Vacuum CleanerCharles Coypel’s Lavish, Theatrical “Don Quixote” TapestriesWalt Whitman, Pop Music CriticThe NYPL’s Librarians Use to Field All Kinds of QuestionsIntroducing Our New Summer IssueWatch: Orson Welles on His Friendship with Ernest HemingwayRichard Rothman’s Photographs of KnoxvilleVáclav Havel: Outtakes from an Interview by Adam ThirlwellIntroducing Our New Video Series, “My First Time”Zadie Smith, Dorothea Lasky & Jane Hirshfield Win PushcartsNotes on Becoming DustThe Paris Review Is Going to Chicago’s Printers Row Lit FestThe Enduring Power of Frederic Leighton‘s “Flaming June”The Lindworm: A Terrifying Norwegian Fairy TaleRevisiting “Pickup on South Street”This Doll’s Brittle, Screeching Voice Will Infect Your Soul Staff Picks: Ghost Stories, Black Books by The Paris Review The Laundry Room by Thomas Beller Pulling Teeth; Cold Calling by Chris Flynn Alice in Bed, Again by The Paris Review L.A. Advice: Writers Dating, Fear of the Blank Page by Sadie Stein Kate Beaton on ‘Hark! A Vagrant’ by Nicole Rudick Breaking Bad by James Franco Miss Piggy, Literary Icon by Emma Straub Shannon Ebner: The Continuous Present by Lauren O'Neill The Disaster Year by C.I. Shelton Fake Paintings; Perfume Tester by Chris Flynn John Jeremiah Sullivan Tonight at The Half King! by The Paris Review Document: The Symbolism Survey by Sarah Funke Butler John Jeremiah Sullivan on ‘Soundcheck’ by The Paris Review ‘The Phantom Tollbooth’ at Fifty by Laura Miller St. Mark’s Saved by Lorin Stein Umberto Eco on ‘The Prague Cemetery’ by Andrew Martin Staff Picks: 'Rules of Civility,’ Scott’s Photographs by The Paris Review Dear Stanley by Emma Straub Other People's Churches by Rachael Maddux
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